In this interview, DIT Severin Schultze takes us behind the scenes of Mother Mary. Together with DIT Jonas Karg, he built an integrated workflow for live grading and dailies, with ShotHub keeping everything connected. The result was a smooth set-to-lab pipeline.
With the introduction of scripting, Silverstack now gives you the flexibility to extend and adapt workflows with your own custom logic. This article breaks down the new feature and discusses two practical use cases.
Video assist sits right at the intersection of technology and storytelling, translating camera signals into meaningful, real-time feedback for creative and technical review. We spoke with Mexico City–based video operator Ian Castañeda about his VTR setup and workflow.
From common two-camera shoots to multi-cam productions with VFX or streaming needs, every production comes with its own challenges, and the right setup can make all the difference. Learn how to plan your Livegrade 7 setup with confidence.
‘Hamnet’ has quickly become one of the year’s most talked-about films, winning over both audiences and critics. In this interview, we shift the spotlight to the camera department as DIT Krzysztof Zawieja takes us behind the scenes.
Over a long career on features, commercials, and high-end TV, including eight seasons of ‘Outlander’, DIT Grant McPhee has seen the film industry evolve from early digital cinema experiments to today’s connected workflows. Discover what this has meant for his career, gear, and approach on set.
Video technician Mihail Ursu takes us behind the scenes of the Outlander prequel series, explaining how he ensured images travelled smoothly across monitors and iPads on set.
In this article, we take a ‘peer perspective’ on Reeltime by chatting with someone from the community, so you can see how colleagues around the world use it in their everyday workflows. So let’s meet Yuji Fukuzawa, a seasoned DIT from Japan who handles both image workflows and on-set playback!
To recap Ferrari’s performance at Motul Petit Le Mans on social media, footage had to travel from camera card to edit suite and onto their social channels almost as fast as the cars lapping the circuit. To pull this off, DIT and editor Brett Ramker built a streamlined mezzanine workflow with Silverstack Lab.
In this interview, Saig Ollivier reveals how he used Livegrade to manage a massive multi-cam setup during Katy Perry’s Paris ‘Lifetimes’ tour.