My DIT Cart Story: Ryan Gatt 12 min read

My DIT Cart Story: Ryan Gatt

Malta is a sought-after destination for international film productions of various types and sizes. Local DIT and Workflow Supervisor Ryan Gatt shares insights into the perks and challenges of working in a location that is not only small but also somewhat secluded from the global landscape.

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QC Series – Tackling Pixel Errors During Quality Control 14 min read

QC Series – Tackling Pixel Errors During Quality Control

In the fourth and final part of our QC series, we take an in-depth look at broken pixels – a visually distracting technical image error. In this article, you will get a better understanding of why broken pixels occur, how they affect the viewer experience, and how they can be identified during QC in Silverstack.

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Bridging the Set-To-Post Gap: A Case Study on Shadow Magic Studios 12 min read

Bridging the Set-To-Post Gap: A Case Study on Shadow Magic Studios

In the big picture of filmmaking, capturing the perfect story is only half the battle. The other half is effectively transporting all decisions and metadata from set to post. In this article, CEO Jordan Maltby shares how his company, Shadow Magic Studios, uses Silverstack Lab to act as the communication bridge between set and post.

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How to Build a Video Playback System With Reeltime Pro 15 min read

How to Build a Video Playback System With Reeltime Pro

Setting up a video playback system with Reeltime Pro starts with understanding the needs of the production, and each creative department on set. In this article, we walk you through how to determine the necessary size of your setup and the tools you need to get everyone involved with the live and playback streams.

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My DIT Cart Story: Audrey Samson 7 min read

My DIT Cart Story: Audrey Samson

Contrary to the global trend of customizing DIT carts, most French DITs rent equipment for each show. In this article, we got to speak with French DIT and president of ADIT, Audrey Samson, about her typical setup, and the advantages of renting DIT equipment.

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Close Collaboration Across a Dedicated Team: Henrikas Genutis on Heist 88 13 min read

Close Collaboration Across a Dedicated Team: Henrikas Genutis on Heist 88

‘Heist 88’ is a film about a real heist that happened in Chicago back in 1988. In this article, DIT Henrikas Genutis takes us behind the scenes and offers exclusive insight into how he used the entire Pomfort camera department ecosystem as a communication tool to align the two post houses, and the crew on set with the DP’s creative intent.

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How to Use Livegrade’s False Color Mode 12 min read

How to Use Livegrade’s False Color Mode

False color is a key tool to help filmmakers check the exposure of an image. In this article, we give a short introduction to false color and explain how with Livegrade, you can build your own false-color LUT to adapt to the needs of your production.

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