When the DP and the set location changed one month away from wrapping, DIT Leonardo Frosina relied on references in Livegrade Pro to finish shooting season two of The White Lotus. Audio version of this article now available on Spotify!
The Pomfort Account is an easy and transparent solution to personal license management. In this article, we explain why we created the Pomfort Account, and how it contributes to the overall licensing concept.
Digital film cameras automatically generate timecode upon recording. In this article, we discuss how timecode is used for some tasks like syncing audio and offline editing and conforming, as well as its limitations as a way to uniquely identify individual frames shot during a film production.
Jaime Lucero Jr.’s DIT cart attracts people to it like a moth to a flame. Whether it’s due to the flashy LED strip lights, or Jaime’s warm and welcoming vibe, this Atlanta-based commercial DIT views his cart as both his own efficient workstation and a professionally inviting place for everyone on set.
In this article, DIT Steven Sun takes us behind the scenes of the very popular Chinese film “The Battle at Lake Changjin,” where he and his colleagues from Dimension Plus relied on the features of Silverstack XT, Offload Manager, and creative workarounds to support their workflow in remote locations and extreme weather conditions.
As the digital filmmaking landscape continues to evolve, educators like Norbert Kottmann at the Zurich University of the Arts are at the forefront, equipping students with the necessary skills to succeed. Kottmann’s DIT Workshop – part of a seminar series on digital workflows – emphasizes hands-on experiences, immersing students in industry-standard processes, workflows, and cutting-edge tools such as Silverstack Lab.
Since 2016, Allan Legarth Nielsen has been navigating the complex Danish film industry as the only on-set freelance DIT. Despite the obstacles he faces, he’s driven by his mission to educate the Danish film industry on the importance of proper data management.
‘Argentina, 1985,’ depicts the true story of Argentina’s trial of the military dictatorship. For Argentinian DIT Martin Bendersky and his team, this was not just a regular movie production, but a powerful symbol of their country’s rich history. We got the chance to sit down with Martin who shared some exclusive production insights on how the use of Silverstack XT and Livegrade Pro helped bring this historical event to life.
DIT Leandro Bordakevich takes us behind the scenes of the Argentinian series, “The Boss,” and shares some exclusive production insights, including how an ACES color pipeline integrated with Pomfort’s Silverstack and Livegrade Pro applications helped maintain image consistency and workflow simplicity.
In this article, we consider the concept of individual LMT and 3D LUT transforms. Typically subject to overlapping roles, ACES, and different camera vendors propose to better define each role more distinctly through individual transforms.