Did you ever want to leave your DIT cart without taking your large external hard disk but still keep your most relevant reference media files? This blog post describes how to achieve this with a few clicks and reveals other efficient solutions when using thumbnail frames in Livegrade for similar use cases.
For the unlikely yet possible event that your troubleshooting suggests the card you try to copy is faulty or damaged, this second part provides further input on how to handle such a rare but stressful situation.
This blog article walks you through five ways to benefit from HDR-related features in Livegrade Pro and Studio.
What is to do if Silverstack indicates that your offload or verification job fails? In this article, we’re diving into error messages and strategies to deal with them.
Given the importance and impact of reporting, this Pomfort Basics article breaks down the topic to provide a comprehensive overview for all beginners using an application from the Silverstack product family. We’ll discuss why reports are necessary and explain how Silverstack provides just the right tools to create professional, purpose-driven reports.
In this article, we want to take a closer look at the design and history of AMF and illustrate how it can transfer look information from system to system by the example of Livegrade.
With “Old Henry”, a contemporary representative of a classic American genre premiered at the 2021 Venice Film Festival. In this interview, Cinematographer John Matysiak and Digital Imaging Technician Scotty Wright take us behind the scenes by sharing exclusive insights into their individual work and collaboration.
Did you ever need to manage independent scenes of multiple units with only one Livegrade system? If so, you will quickly recognize the huge potential of working with stages in Livegrade Studio, as it will make your life so much easier. This article will walk you through a whole new workflow for handling multiple scenes simultaneously within the same project.
There are a lot of situations where shooting with action cameras or DSLRs allow stunning perspectives and prevent expensive gear from possible damage. But many consumer cameras don’t come with the elaborate file naming mechanisms of professional camera systems. Wouldn’t it be nice if Silverstack could help you take care of ambiguous file names in your usual offloading workflow and with minimal effort?
With Livegrade Studio, you can natively grade on set in the FilmLight color pipeline and share your looks with post-production departments via FilmLight’s proprietary look exchange format BLG. In this article, we’re pointing out five ways in which your overall color workflow and all involved team members benefit from using the FilmLight color pipeline from set to post.