On-Set Data Management: A Collection of Some Basic Principles (Compilation Article) 2 min read

On-Set Data Management: A Collection of Some Basic Principles (Compilation Article)

There certainly is no general, always valid guideline for executing on-set data management in film productions as the requirements can diverge a lot and are influenced by many factors. But there are certainly basic principles that practically nobody in the data wrangling and DIT world would argue about. Often these principles touch topics of security, speed, and clear organization.

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New ways to create the perfect look for preview and dailies 7 min read

New ways to create the perfect look for preview and dailies

For graded dailies creation, looks created in Livegrade can easily be transferred to Silverstack Lab. The provided looks act as a starting point for rendering dailies from camera original raw data into multiple formats. Livegrade and Silverstack Lab just added new color grading nodes and the option to adjust the intensity of grading nodes, so that color grading in Livegrade and Silverstack Lab gets boosts in speed, precision, and flexibility.

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4 Benefits of a Cloud Based Look Workflow for Dailies Creation 4 min read

4 Benefits of a Cloud Based Look Workflow for Dailies Creation

Pomfort ShotHub closes the gap to establish a seamless cloud based look workflow between the point of look creation and creating dailies with the intended look from original camera negatives. Looks created with Livegrade during the shooting process of a scene can be made available in a cloud project and then be fetched by Silverstack Lab directly for creating proxy clips with the right look. This enhances the existing file based look matching process, making it more seamless to receive look metadata and to associate it automatically with the clips from the camera card based on metadata.

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How the new Pomfort ShotHub supports your on-set look workflow 6 min read

How the new Pomfort ShotHub supports your on-set look workflow

One of the DIT’s responsibilities is to create and preserve on set looks plus make the corresponding metadata available for further processing beyond the film set. Especially if working remotely or shooting with multiple teams it becomes quite a challenge to fulfill these requirements. Here you can benefit from having a cloud connectivity on set for look metadata as well.

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On set of an action comedy: DIT Leon Rivers-Moore on Netflix’s “Coffee and Kareem” 7 min read

On set of an action comedy: DIT Leon Rivers-Moore on Netflix’s “Coffee and Kareem”

It is always a plus if a team has previously worked together – workflows are often already established, and the communication is easier. The Netflix action comedy ’Coffee and Kareem’ was not the first collaborative project for DIT Leon Rivers-Moore and the camera team he worked with, which made it a lot of fun for everyone to shoot. Silverstack and Livegrade Pro were two old companions for him as well, which he used for the media asset workflow, QC and color grading on set of this particular production.

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Live Grading a TV Series About International Drug Trafficking: DITs Andrea Cuomo and Andrea Curiazi on “ZeroZeroZero” 13 min read

Live Grading a TV Series About International Drug Trafficking: DITs Andrea Cuomo and Andrea Curiazi on “ZeroZeroZero”

The TV series ZeroZeroZero is a saga about drug trafficking that spans several continents. Such a production requires a high amount of traveling and cooperation between people from different countries. Italian DITs Andrea Cuomo and Andrea Curiazi have been part of this production in 2019 and report to us about their experiences.

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Auto record reference movies in Livegrade 6 min read

Auto record reference movies in Livegrade

Livegrade is an on-set DIT software enabling the camera department to provide efficient on-set look creation, live HDR and SDR monitoring and management of looks and metadata for later integration with other DIT tools and post production software.

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MY DIT CART: Alan Robert Hopkins 7 min read

MY DIT CART: Alan Robert Hopkins

Different types of productions can require different models of cart setups for a DIT. To be well prepared for every situation DIT Alan Robert Hopkins owns three kinds of rigs, and shifts all his other equipment between the three of them; Depending on whether he currently works on a large movie production, or is busy with commercials and dailies in between.

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