‘Heist 88’ is a film about a real heist that happened in Chicago back in 1988. In this article, DIT Henrikas Genutis takes us behind the scenes and offers exclusive insight into how he used the entire Pomfort camera department ecosystem as a communication tool to align the two post houses, and the crew on set with the DP’s creative intent.
On the set of ‘It Lives Inside’, DIT Kevin Hawkins designed his workflow to act as the bridge between set and post. In this article, Kevin shares how he did this by utilizing the entire Pomfort camera department ecosystem to keep all of the metadata secure, and how it helped to simplify the jobs of several other team members.
DP Michael Simmonds brought DIT Chandler Tucker onto the set of the second season of ‘The Righteous Gemstones,’ for two weeks to fix discrepancies between dailies and raw footage. However, after Michael saw how Chandler could provide top-level continuity between shots, scenes, and episodes by way of recorded references in Silverstack Lab, Chandler stayed on for the remainder of the season. In this interview, Chandler shares his thorough workflow, as well as what made it so valuable to the DP.
When the DP and the set location changed one month away from wrapping, DIT Leonardo Frosina relied on references in Livegrade Pro to finish shooting season two of The White Lotus. Audio version of this article now available on Spotify!
In this article, DIT Steven Sun takes us behind the scenes of the very popular Chinese film “The Battle at Lake Changjin,” where he and his colleagues from Dimension Plus relied on the features of Silverstack XT, Offload Manager, and creative workarounds to support their workflow in remote locations and extreme weather conditions.
‘Argentina, 1985,’ depicts the true story of Argentina’s trial of the military dictatorship. For Argentinian DIT Martin Bendersky and his team, this was not just a regular movie production, but a powerful symbol of their country’s rich history. We got the chance to sit down with Martin who shared some exclusive production insights on how the use of Silverstack XT and Livegrade Pro helped bring this historical event to life.
DIT Leandro Bordakevich takes us behind the scenes of the Argentinian series, “The Boss,” and shares some exclusive production insights, including how an ACES color pipeline integrated with Pomfort’s Silverstack and Livegrade Pro applications helped maintain image consistency and workflow simplicity.
From adjusting to the unique directing style of Ruben Östlund to shooting in two countries during a global pandemic, both Post Producer Vincent Larsson and DIT Martin Knispel relied on Silverstack XT to support their thorough workflow.
In this interview, DIT Sandro Magliano shares some exclusive production insights into his comprehensive workflow on the set of the musical drama ‘Cyrano,’ including his tailor-made preparation process, an ACES workflow integrated with Livegrade Pro and Silverstack Lab, and a near-set dailies lab.
The medical drama series “Five Days at Memorial” recalls Hurricane Katrina’s devastating impact on a New Orleans hospital. In this interview, Digital Imaging Technician Mehran Jabbari shares exclusive insights into his workflow with Silverstack, Livegrade Studio, and ShotHub.