After 25 years, Sr. Ridley Scott’s Oscar-winning classic Gladiator returns to the big screen with a thrilling sequel. We sat down with DIT Gastone Ferrante to discuss his workflow and setup for this massive production.
We sat down with Hungary-based DIT Daniel Farkas to discuss his recent involvement in ‘Alien: Romulus’. Wait, another ‘Alien’ film? That’s right, the science fiction horror-thriller forms the latest addition to the iconic ‘Alien’ franchise.
In this interview, DIT Peter Marsden discusses the use of small-scale virtual production in the action thriller ‘Retribution’.
‘Heist 88’ is a film about a real heist that happened in Chicago back in 1988. In this article, DIT Henrikas Genutis takes us behind the scenes and offers exclusive insight into how he used the entire Pomfort camera department ecosystem as a communication tool to align the two post houses, and the crew on set with the DP’s creative intent.
On the set of ‘It Lives Inside’, DIT Kevin Hawkins designed his workflow to act as the bridge between set and post. In this article, Kevin shares how he did this by utilizing the entire Pomfort camera department ecosystem to keep all of the metadata secure, and how it helped to simplify the jobs of several other team members.
DP Michael Simmonds brought DIT Chandler Tucker onto the set of the second season of ‘The Righteous Gemstones,’ for two weeks to fix discrepancies between dailies and raw footage. However, after Michael saw how Chandler could provide top-level continuity between shots, scenes, and episodes by way of recorded references in Silverstack Lab, Chandler stayed on for the remainder of the season. In this interview, Chandler shares his thorough workflow, as well as what made it so valuable to the DP.
When the DP and the set location changed one month away from wrapping, DIT Leonardo Frosina relied on references in Livegrade Pro to finish shooting season two of The White Lotus. Audio version of this article now available on Spotify!
In this article, DIT Steven Sun takes us behind the scenes of the very popular Chinese film “The Battle at Lake Changjin,” where he and his colleagues from Dimension Plus relied on the features of Silverstack XT, Offload Manager, and creative workarounds to support their workflow in remote locations and extreme weather conditions.
‘Argentina, 1985,’ depicts the true story of Argentina’s trial of the military dictatorship. For Argentinian DIT Martin Bendersky and his team, this was not just a regular movie production, but a powerful symbol of their country’s rich history. We got the chance to sit down with Martin who shared some exclusive production insights on how the use of Silverstack XT and Livegrade Pro helped bring this historical event to life.
DIT Leandro Bordakevich takes us behind the scenes of the Argentinian series, “The Boss,” and shares some exclusive production insights, including how an ACES color pipeline integrated with Pomfort’s Silverstack and Livegrade Pro applications helped maintain image consistency and workflow simplicity.