Configuring different dailies deliverables with specific requirements is an important part of the DIT’s responsibility when transcoding on set. This article discusses such requirements for dailies, and shows how Silverstack Lab can come in handy for that purpose with a concrete example concerning audio.
When talking about the hardware integrations of LiveGrade Pro we often get asked about the best LUT box to use: “Which is the best LUT box for the film set?” or “Which LUT box do you recommend to work with your software?”. LiveGrade works with a broad range of LUT boxes which in the end leaves you spoilt for choice.
We have recently been asked in support which storage on set solution we would recommend. This is a tricky question to answer remotely with only little knowledge of the production environment.
It made me think if we can somehow objectify this question and break it down to define general criteria for storage on set. Read my thoughts on this which finally end up with six criteria for storage on set you can use to make your very own choice.
In this video by Teradek, Director of Photography Paul Cameron talks about developing the look for the HBO TV series “Westworld” and explains how managing looks, a seamless workflows, and a quick setup are crucial for a DP’s work.
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