6 Examples of How Offload Software Makes Your Life on Set Easier 4 min read

6 Examples of How Offload Software Makes Your Life on Set Easier

A film set is a busy place. If you are responsible for offloading footage – either as part of other responsibilities, or as a designated data wrangler – there are always a lot of things to take care of. Usually more than expected. Therefore it makes sense to look out for helpers that reduce manual work, help you deliver a great job and give you time to focus on all those other things that also need your attention.

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Camera “Log” Signals in Production: Part 2 – Typical Use Cases For Working With “Log” Signals 7 min read

Camera “Log” Signals in Production: Part 2 – Typical Use Cases For Working With “Log” Signals

Part one of this article discusses the origin and ideas behind “log” images as produced in almost every camera system in digital cinematography. In this second part we want to take a closer look at how you work with these images – be it as the “log” live output of the camera as an HD-SDI signal, or as the “log” footage recorded on camera media. We will discuss how to benefit from typical look workflows on set within the camera department and beyond. As the setup for dealing with log signals on set varies with the expected level of interactivity, we illustrate the benefits in five scenarios.

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5 Examples: How Others Benefit From the DIT’s Work 5 min read

5 Examples: How Others Benefit From the DIT’s Work

The DIT handles a variety of different tasks on set. While the creation of camera backups might still be the most well-known to others, his work in fact goes far beyond that. And so do the benefits he creates for others. In this article we will outline 5 examples that show how others benefit from the work of the DIT and discuss how professional software can support the DIT.

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Offloading Camera Footage: How to Benefit From Working with the Silverstack Offload Manager 4 min read

Offloading Camera Footage: How to Benefit From Working with the Silverstack Offload Manager

The Silverstack Offload Manager supports your offloading tasks on set: It enables secure backups, and documents your work in comprehensive reports. Besides these obvious gains, there are a number of advantages “under the hood”. These may not be obvious at first, but can make your daily work on set significantly easier. In this blogpost we want to discuss some of these benefits.

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6 Things a Good Backup Software for Filmmakers Should Do to Make Sure Your Copy is Secure 4 min read

6 Things a Good Backup Software for Filmmakers Should Do to Make Sure Your Copy is Secure

A good backup software for filmmakers naturally should simplify the backup procedure (e.g. by creating multiple copies in one run), but it should also let you be fully confident that your copies are complete and verified. In this article we will outline some of the criteria that a good backup software should fulfill, and describe how they are implemented in our on-set data management application Silverstack.

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5 Types of Clip Metadata on Set 8 min read

5 Types of Clip Metadata on Set

With today’s digital film cameras, a lot of data is produced and recorded on set. Most of the time the actual image and sound data is accompanied by various kinds of metadata. Some of this metadata is broadly available, such as the running time code overlaid in video monitors. Other metadata is not presented so prominently – especially when the benefits of carrying this information further on are less obvious on set.

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7 Tips for Data Wrangling on a Film Set 4 min read

7 Tips for Data Wrangling on a Film Set

If you are new to data wrangling for film productions, or if you are looking for some tips on the involved activities, you are at the right place. In this article we want to point out the most important aspects of the responsibility for ensuring safe handling of all the produced camera data. Here are our 7 tips for data wrangling.

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