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March 15, 2018

The Extended DIT Workflow: How to Manage Live Camera Metadata in LiveGrade Pro v4 6 min read

The Extended DIT Workflow: How to Manage Live Camera Metadata in LiveGrade Pro v4

Typical cameras for digital cinematography have a lot of parameters to be set – the settings for controlling exposure alone already consist of multiple parameters such as exposure index, shutter speed, internal ND filters, but also white balances and sensor FPS. LiveGrade Pro v4 introduces a broad set of features to manage this kind of information.

Read the full story

December 13, 2017

Delivering the whole package of on-set color and data: DIT Thijs Bazelmans on production for “Gelukzoekers” 9 min read

Delivering the whole package of on-set color and data: DIT Thijs Bazelmans on production for “Gelukzoekers”

When working on set, DITs deliver a whole package of services, that often goes beyond the offloading and securing of footage. For his current production “Gelukzoekers”, DIT Thijs Bazelmans handles the whole process from live grading to the final handover of material to post production.

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Who Is Writing for You?

Patrick
Patrick
Samuel
Selina
Wanja
Franz

We are Pomfort's editorial team and work hard to bring you insights into the daily work with media and color on the film set. From hardware to software, we try to cover every aspect of media asset management and look creation on set that might be helpful to you.

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