My DIT Cart – Frank Devine 3 min read

My DIT Cart – Frank Devine

Starting today comes a new series of blog posts featuring DITs and their DIT carts. We take a look at different setups, common components and the little tweaks that make every single DIT cart unique.

To kick off this series Vancouver based digital imaging technician Frank Devine gave us an exclusive look behind the scenes of his DIT cart.

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Keeping the Balance Between Data and Looks: DIT Noah Richoz on His On-Set Workflow for “The 100” 7 min read

Keeping the Balance Between Data and Looks: DIT Noah Richoz on His On-Set Workflow for “The 100”

With its hit show The 100, CW network has set new standards for post-apocalyptic TV shows.It’s got a ‘harsh’ look that’s kept throughout the show. Someone who knows the look of the show best is Noah Richoz, DIT on the show since season two. In a recent interview with us he explains why Silverstack XT and LiveGrade Pro were his go-to options for this production, and how on-set looks enhance the distinct style of the show.

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Comparing Features of LUT Boxes for On Set Use 3 min read

Comparing Features of LUT Boxes for On Set Use

When talking about the hardware integrations of LiveGrade Pro we often get asked about the best LUT box to use: “Which is the best LUT box for the film set?” or “Which LUT box do you recommend to work with your software?”. LiveGrade works with a broad range of LUT boxes which in the end leaves you spoilt for choice.

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Live Grading a Super Hero – DIT Francesco Sauta On the Production of Spider-Man: Homecoming 11 min read

Live Grading a Super Hero – DIT Francesco Sauta On the Production of Spider-Man: Homecoming

With “Spider-Man: Homecoming” being the second reboot of one of the most popular superhero stories of all times, expectations for the movie were certainly high. Director Jon Watts managed to meet these expectations by giving the film a unique touch of its own – making it a colorful, fresh and delightful story about Peter Parker’s attempts to balance high-school life with his new superhero job.

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Easily Transfer Clips and Metadata from Silverstack to Adobe Premiere Pro 1 min read

Easily Transfer Clips and Metadata from Silverstack to Adobe Premiere Pro

It is a common requirement for the DIT to be able to provide metadata for the editing department. With Premiere Pro having become a professional and widely used editing application for commercials as well as big feature films, on-set users of Silverstack like data management technicians and DITs have requested the export of metadata from Silverstack directly to Premiere Pro.

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