My DIT Cart: Timur Gavrilenko 10 min read

My DIT Cart: Timur Gavrilenko

The way a DIT cart is assembled not only depends on the preferences of the DIT itself, but also on the environment they are working in. The perfect combination of required features was quite clear to DIT Timur Gavrilenko when he designed his individual cart: As flexible as possible for high mobility on set, yet powerful enough for more demanding workflows.

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How Source Verification Helps to Identify Underlying Problems in Your Copy Process 5 min read

How Source Verification Helps to Identify Underlying Problems in Your Copy Process

When copying camera footage, most operators are familiar with the importance of verifying a good copy. ‘Verifying’ in this case usually refers to verifying the destination, e.g. making sure that the copied file at its destination are the same as on the source location. However, another possible process is often not mentioned in that context – and that is the source verification.

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An In-Depth Look at ASC-CDL Based Color Controls 7 min read

An In-Depth Look at ASC-CDL Based Color Controls

This article highlights how Livegrade Pro’s and Livegrade Studio’s implementation of the ASC-CDL standard impacts your work. We’ll revisit the details about the parameters and filter formula specified by ASC-CDL, discuss the different interaction types in the software, and show an example for setting up the color grading in multiple nodes.

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4 Ways to Transfer Metadata With Your Dailies – and Why to Do It 5 min read

4 Ways to Transfer Metadata With Your Dailies – and Why to Do It

When creating dailies on set or near set, you want to create them in a way that makes the following production steps as smooth as possible. Passing on relevant metadata together with the transcoded clips can contribute to that. In this article we will evaluate the benefits of passing on metadata together with transcoded clips, introduce different ways of doing so, and explain how Silverstack Lab helps with it.

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A smooth data workflow across multiple units: DIT Stefan Weßling talks about the production of “Capelli Code” 9 min read

A smooth data workflow across multiple units: DIT Stefan Weßling talks about the production of “Capelli Code”

Getting all your technical equipment and the entire crew to the designated shooting location can easily become a challenging scenario, especially when shooting at remote locations with hardly any road access. That’s exactly what DIT Stefan Weßling experienced on the production „Capelli Code“, when he had to get his setup to a location in the Swiss Alps that was only reachable by a 45-minutes ride on a snowcat.

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My DIT Cart: Takeshi Yamaguchi 8 min read

My DIT Cart: Takeshi Yamaguchi

DIT carts are used in a variety of different settings. Sometimes there is space for a cart that’s large enough to host your entire equipment, while other situations require a more compact and mobile setup. In order to best meet the requirements of all those different settings, Takeshi Yamaguchi works with three different carts.

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