Made with Pomfort products

Live productions

Coachella: Karol G Headline Show


Year:
2026
DP:
Keyan Safyari
Livegrade DIT:
Chuck Pappas
Credits:
Lighting Designer: Sam Paine,
IMAG DIT: Casey Bornhell,
Senior Booth Engineer: Joe Huntley,
IMAG production: Vis A Vis,
Camera control: Wide + Close,
More info:
Video
Software:

TV Special: Harry Styles. One Night in Manchester

For Harry Styles’ live Manchester concert celebrating Kiss All The Time. Disco, Occasionally, Silverstack Lab was used to handle offloads and media management in a fast-paced live production environment.


Year:
2026
DIT:
Alix Milan
Data Manager:
Péter Félix Korolovics
Directors:
Ant Barrett, Paul Dugdale
More info:
IMDb Video
Software:

Motul Petit Le Mans: Ferrari Campaign

For Ferrari’s social content at Motul Petit Le Mans, Brett Ramker used Silverstack Lab to streamline the camera-to-edit workflow, enabling fast media processing and near real-time content delivery.


Year:
2026
DIT/ Editor:
Brett Ramker
Software:

Apple Music Live: Fred again..

For the TV special with artist Fred again.., Silverstack Lab was used to manage the high-volume media workflow. Over 55 TB of footage from 15+ cameras was offloaded and backed up within a few hours.


Year:
2025
DP:
Brett Turnbull
DIT:
Alix Milan, Xander Craven
Production:
Si Fi Productions
More info:
IMDb Video
Software:

Cirque du Soleil: ALIZÉ

For Cirque du Soleil’s ALIZÉ residency show, Angel Banchs used Livegrade to support the color workflow for the live theater visuals. The production featured large LED displays powered by Brompton Technology and Theatrixx.


Year:
2026
Lead Color Engineer:
Angel Banchs
Credits:
Senior Technical Support Engineer (Brompton Technology: Thomas Peters,
Lead Systems Manager (Cirque du Soleil): John Thurston
More info:
Video
Software:

Victoria’s Secret Fashion Show 2025

For the Victoria’s Secret Fashion Show livestream, the team used Livegrade to manage the look in real time and maintain color consistency throughout the broadcast.


Year:
2025
DIT:
Lennert Prins
Production:
Bureau Betak, Done + Dusted
Director:
James B. Merryman
More info:
IMDb Video
Software:
Pomfort Livegrade Robbie Williams live tour color grading

Robbie Williams: “BRITPOP” Live Tour

On this cine-live project, colorist Richard Turner performed real-time grading across a multi-camera setup, maintaining a consistent visual look under constantly changing lighting conditions.


Year:
2025
Live Colorist :
Richard Turner
Credits:
Creative Director: Kim Gavin,
Lighting Director: Glenn Johnson,
Lighting Designer: Paul Normandale,
Screen Content: Luke Halls Studio,
Set Design: STUFISH,
Production Manager: John M Lafferty
More info:
Video
Software:

Katy Perry: “The Lifetimes Tour”

During Katy Perry’s tour stop in Paris, DIT and Shader Saig Ollivier used Livegrade to manage real-time grading across a large multi-camera live production.


Year:
2025
DP:
Brett Turnbull
DIT:
Saig Ollivier, Hugo Louvel, Lucas Puyobro
Shader:
Théo Goursaud, Sébastien Bourbon
Credits:
Production Services: PhotoCineLive
Lead CA: Élodie Benguettat
More info:
IMDb Video
Software: