Features

The Detailed Overview.

Only available in LiveGrade Pro

Look and Clip Library

Looks Save and recall unlimited number of looks
Extended metadata fields for storing slate information, episode info and timecode
Live-updating thumbnails for visual reference
Projects and look groups for look management
Search and filter functions for fast access to looks
Clips and Stills Imported still images from JPG, TIFF and DPX files and extracted images from MOV files
Recorded movies and frame grabs from HD-SDI signals
History Each interaction is stored for later re-use and undo

Color and Signal Processing

Color pipeline Node-based color pipeline, different modes for different scenarios
Grading modes CDL and LUT, CDL Advanced, Alexa looks, Amira Compatible
ACES CDL, ACES CDL Advanced, Varicam Compatible, Freestyle, Freestyle ACES
"Freestyle" grade modes for custom, more complex color pipelines, e.g. multiple input and output LUTs, calibration LUTs etc.
ACES Versions and transforms shipping with LiveGrade:
v0.7.1, ACEScc v1.0.0
Versions and transforms for download:
v0.2.0, v0.7.0, ACEScc v1.0.1, ACEScc v1.0.2, ACEScc v1.0.3, ACEScct v1.0.3
Manage and download latest ACES versions
Input transforms (IDTs): ARRI, Canon, Panasonic, Sony, ACESproxy, reverse Rec.709
Output transforms (ODTs): Rec.709, Rec.2020 (inc. HDR ST2084), P3 (inc. HDR ST2048)
Grading nodes ASC-CDL, 3D LUT
3D LUT Presets for ARRI, Blackmagic Design, Canon, Panasonic, RED, and Sony cameras in 3D LUT node
Import of custom 3D LUTs in 3D LUT node
Load and save ASC-CDL files (*.cdl) directly to/from node
Multiple ASC-CDL nodes can be combined to one CDL filter e.g. for export
1D LUT and 1D Curve editor
HHS Secondaries (hue-dependent hue and saturation controls)
Grading nodes can be enabled and disabled individually
False color modes False color mode for quick-check of exposure
Regions mode and Gradient mode
Linked Looks Control selected parts of looks simultaneously for multiple slots / devices

HD-SDI Live Image and Capture

Device Support Blackmagic Design Ultrastudio, Mini Recorder and Decklink cards
Capturing video QuickTime ProRes in different bit rates (ProRes 422 LT, ProRes 422 Proxy, ProRes 422, ProRes 422 HQ)
Frame grab as 16bit TIFF files
Quick-entry panel for fast editing of look and clip metadata
Recording modes Multi-record for triggering record for multiple attached capture devices
Handling of original camera as well as pre-graded input signals
Auto-Record Triggering record by HD-SDI rec-flag from ARRI Alexa camera
Triggering record by clip name flags from Sony F5/F55 cameras
Triggering record from "Rec-Run" time code
Metadata Capture time code from video stream for look creation

LUT Devices

Supported "LUT Boxes" Blackmagic Design HDLink
(drivers only compatible up to OS X 10.10)
WOWOW (formerly Fujifilm) IS-mini
(an additional device license for IS-mini is required)
Pandora Pluto
Teradek COLR and COLR Duo
Flanders Scientific BoxIO (single and dual channel mode)
Supported Monitors Canon DP-V2410 (interactive look control, single and dual input mode)
Canon DP-V3010 (interactive look control, single and dual input mode)
FSI DM250, DM240 and DM170 (interactive look control)
FSI CM250 (semi-interactive look control)
Supported Cameras Panasonic Varicam 35/Pure/LT/HS
ARRI Alexa SXT
SONY F65
Supported Camera Extension Modules OFFHOLLYWOOD OMOD for RED cameras
Multiple devices Manage multiple devices and control them independently
Group and mix multiple devices and control them combined
Use four devices in one slot for Quad HD-SDI / UHD/4K applications
HD-SDI Settings Legal / extended HD-SDI signal settings for each LUT device
Color management Import and apply ICC profiles for use of DVI, HDMI, DisplayPort and HD-SDI displays
Options Restore all looks on all devices on startup
Robustness Connection indicator warns on offline devices

Monitoring

Monitoring View and color-grade live image with HD-Link
View and color-grade imported stills
Color processing in all LUT boxes, supported monitors and supported cameras
View and color-grade live image (GPU-based)
View and color-grade recorded clips and frame grabs
Compatibility mode for display matching (e.g. with HD-SDI video, DaVinci Resolve)
Split view Compare different looks for look matching
Compare live image to stored clips and frame grabs for look matching
Compare live image to live image for look matching
Video Scopes Integration with “Scopebox” (via ScopeLink) for professional video scopes

HD-SDI Output

Device Support Blackmagic Design Ultrastudio, Mini Monitor and Decklink cards
AJA T-Tap, KONA series and Io series
Output Mirroring of Image Viewer to HD-SDI
Grade live on reference monitor
Support for split screen reference mode

Transfer Options

Export 3D LUTs in various formats (all grading modes)
Batch export, export multiple formats at once
LUT Formats for Export Davinci Resolve, Adobe SpeedGrade, Filmlight, Autodesk Lustre, Assimilate Scratch, Digital Vision Nucoda, Blackmagic HDLink, Blackmagic Teranex Mini, AJA LUT Box, Convergent Design Odyssey, REDCINE X PRO
(other formats on request)
Look Exchange Import/export of CDL files (ASC-CDL and ACES grade modes)
Import/export of Alexa Look Files (Alexa look mode)
Export of Amira Look Files (CDL look mode)
Import/export of Pomfort Looks and Look Archives for seamless integration with Silverstack
Customizable, automatic schemes for file names of exported looks via metadata wildcards
Transfer of looks as ALE file for automatic look matching in Assimilate Scratch
Import of LUT file (ASC-CDL grade mode)
Still export Export stills along with looks
Convenient “on-the-fly” still export with file names based on metadata
CDL Server Provide CDL information via network for Codex recorders and Alexa XT

Hardware Controls

Panel Devices Tangent Element (all modules), custom mappings via "Tangent Mapper"
Tangent Ripple
Tangent Wave
AVID Color Artist

User Interface

General Intuitive, easy to learn user interface
Resizable color controls
Appearance Dark user interface for dark studio and on-set environments
UI dim configuration

Remote App

Setup iPhone, iPod touch and iPad (iOS 7 needed)
Communication via WiFi
Interaction Switch between stored look presets
Switch between device slots
Bypass color, apply false color mode

Localization

Localized Versions English
Japanese
Chinese

System Requirements

Computer Intel Mac
Operating System Mac OS X 10.9.0 or higher

HDLink support only up to OS X 10.10:
Up to now there is no driver for HDLink available from Blackmagic Design for OS X 10.11.
Please be aware that you are not able to use HDLink devices on OS X 10.11.

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LiveGrade Basic

LiveGrade Basic is the entry solution for standard look management wokflows and works with Blackmagic Design HDLink.

Starting from 69 USD
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LiveGrade Pro is the standard software for look management on set. It integrates with a wide range of camera workflows and setups.

Starting from 119 USD
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