Available in Silverstack XT only     
* for selected camera formats     
** with audio support


  • Storage of all assets in one comprehensive library
  • Thumbnails for all assets
  • Access to all assets at all times, even when offline
  • Syncing the clip library with other Silverstack applications (via ShotHub)


  • Support for camera specific metadata*
  • Extraction of metadata from clips and sidecar files (XML, ALE, etc.)*
  • Management of source and transcoded clips in one library
  • Transcoding statistics

Pomfort ShotHub

  • Upload your local project to a new ShotHub project or merge it with an existing cloud project
  • Keep local projects of multiple Silverstack applications in sync through the same ShotHub project
  • Share metadata and file information of a specific clip via ShotID (in reports, ALE, CSV) or as ShotID link

File sequences

  • Automatic detection of file sequences
  • Treatment of entire file sequences as single clips for easier management
  • File sequence input for JPEG, TIFF and DPX files (e.g. for playback and transcoding of timelapse sequences)

Verification States

  • Inspect the verification status on file resource, clip and bin level

Color & Look

  • Typical grade controls
  • Node based CDL and LUT grading mode
  • ASC-CDL compatible interaction types: CDL/SOP, and simplified (contrast, stretch, warmer, greener controls)
  • Advanced grading modes (including ACES modes)
  • Basic grading nodes include ASC-CDL and 3D LUT
  • Advanced grading nodes include 1D LUT, RGB curves, HSL curves and HHS nodes
  • Selection of decoding color space and gamma for Alexa Mini LF and Canon CRM footage
  • Selection of decoding color space and gamma for Sony X-OCN and DJI Cinema DNG footage
  • Load and save ASC-CDL (.cdl) directly to/from grading node
  • LMT node with official LMTs and support for CLF (Common LUT Format)
  • Amount slider for adjusting the intensity of individual grading nodes
  • Player grid view for side-by-side reference view of two clips
  • Look library
  • Copy and paste of looks with shortcuts
  • Combine clip and look information in one library
  • Manage and download latest ACES versions
  • Export ACES Metadata (AMF) files for looks from ACES version 1.2
  • Import ACES Metadata Files (AMF)
  • RED IPP2 color processing for custom looks


  • Automatic detection of Broadcast Wave (BWF, .wav) audio files
  • Automatic assembly of audio tracks to audio clips/li>
  • Linear Timecode (LTC) extraction from internal audio tracks
  • Manual audio sync with video clips
  • Audible frame stepping

Dynamic Metadata

  • Extraction of dynamic lens and camera metadata to reference settings per frame and in playback
  • Export dynamic metadata per clip to a CSV file


  • Search for keywords in specific metadata fields to filter clips list
  • Build search expressions for more complex searches to filter clips list
  • Smart-folders for complex and recurring searches

Library Sorting

  • Keep library assets automatically sorted by name or date


  • Metadata import, merge different libraries with bins, folders, and projects.


  • Relinking of files which were moved/copied outside of Silverstack

Keyboard Shortcuts

  • Assigning custom keyboard shortcuts to all actions in the main menu


  • Multi-destination file copy
  • Checksum verified copy for maximum security (XXH64, MD5, SHA1, C4ID, XXH3, XXH128)
  • Create standardized Media Hash List (.mhl) files with checksums
  • Create and continue ASC MHL manifest histories
  • Support for cloud backup to AWS S3
  • Support for backing up to LTO tapes via LTFS
  • Support for backing up to SONY ODA (Optical Disk Archive)


  • Offload of camera storage cards
  • Cascading copy, first to fast drives, from there to slower drives
  • Preservation of folder structures
  • Creation of custom folder structures with wildcards
  • Provide custom bin name on offload
  • Rename mov and mp4 files on offload* (* for selected cameras)
  • Offload wizard templates
  • Automatic template selection based on input device


  • Immediate verification file per file as part of copy job
  • Separate copy and verification jobs to complete copy first and verify afterwards


  • Detection of duplicate clips for less confusion in post
  • Format-specific ingest preferences for look management, audio and format options
  • Easily register files in the library without copying


  • Overview of all used volumes
  • Inspection of capacity, fill levels and stored files
  • Information about last usage (user/time via ShotHub sync)
  • Unmounting of volumes without going through Finder
  • Sealing of volumes to ensure completeness and consistency of media data
  • Seal management (seal info, delete, re-seal)


  • File name and path creation based on clip metadata

Job Queue

  • Queuing of jobs for consecutive and parallel execution of multiple jobs
  • Visualized job queues for copy and transcoding
  • Reordering of scheduled jobs via drag and drop
  • Schedule jobs on offload to be executed at earliest possibility

Job Suspension

  • Suspension of jobs after completion of subtasks
  • Optimized job order by combining suspension/resumption and reordering

Job History

  • Overview of all finished copy jobs

Job Status

  • Constant access to the status of all jobs through a pervasive status display
  • Instant and notable indication of success or errors for faster turnaround times
  • Job status notifications on macOS and possibility to send to Slack
  • Job status per volume in offload menu

Job Status

  • Monitor in the library which bins have running offload/backup jobs
  • Select a job to mark its dependant jobs in the jobs panel

Jobs Summary

  • Purified jobs summary to get overview about finished jobs from the main window
  • Warnings and reminders for failed unread jobs

Native Playback*

  • Real-time playback of camera-native media
  • Comprehensive clip timeline for quick navigation
  • Audio clip playback with metering and channel mixer
  • Playback of single audio tracks
  • "Absolute time" and "every frame" playback mode
  • Playback, jog, and shuttle with JKL controls


  • Live processing with per-clip settings for playback and transcoding
  • Anamorphic de-squeeze for correcting images from anamorphic lenses
  • Flip horizontally (mirror), vertically (upside down) or both (180° rotation)
  • Rotate clips left or right to work with video in portrait mode
  • Look processing (e.g. log-to-video from file, preset or custom 3D LUT)

Frame lines

  • Framing assistance with custom aspect ratios

HD-SDI output

  • Full quality (10-bit) clip review on HD-SDI monitors

External video supported devices

  • AJA KONA series, AJA Io series, AJA T-TAP
  • Blackmagic Design Ultrastudio series, Mini Recorder and Decklink cards

Native Video Scopes

  • Waveform, histogram, vectorscope with settings

External Video Scopes

  • Integration with "ScopeBox" (via ScopeLink)

Playback via Quick Look

  • Media Files: QuickTime, AVI, MPEG4, MP3, AAC, AIFF, WAV, JPEG, JPEG 2000, Adobe PhotoShop, TIFF, BMP
  • Additional Formats: XDCAM HD, DPX and others with 3rd party Quick Look plugins
  • Production Documents: PDF, HTML, RTF, Pages, Numbers, Keynote, Word, Excel, PowerPoint, TXT, CSV

Display options*

  • Separate color channels
  • Black and white clipping indicator
  • Focus assist for inspecting focus on small screens

User Information*

  • Support for comments, labels, ratings and flags
  • Support for different slating systems
  • Cue points for commenting on specific frames
  • In- and Out-Points for marking relevant clip segments
  • Cue points are fully integrated into the library search


  • Comprehensive transcoding tab to manage transcoding settings
  • Path wildcards for custom folder structures of transcoding destinations
  • Transcoding preview player mode to preview the transcoding configuration
  • Automatic ingest of transcoded clips to the library

Destination Formats

  • QuickTime ProRes
  • QuickTime H.264
  • QuickTime H.265/HEVC
  • MP4 H.264
  • MP4 H.265/HEVC

Transcoding Options

  • One custom transcoding configuration and multiple preinstalled transcoding presets
  • Multiple custom transcoding configurations
  • Multi format and multi destination transcoding to different resolutions
  • Custom bitrate options for transcoding to H.264 and H.265
  • Output resolutions larger than Full HD (1920 x 1080)
  • Automatic decoding resolution quality mode
  • Basic burn-in options (video TC, clip name) and watermarking
  • Embedded audio (stereo mixdown with Linear PCM and AAC codecs)
  • Automatic pause of transcoding during copy and playback


  • De-squeeze and flip conversion
  • Crop clips to a custom aspect ratio or custom resolutions
  • Transcoding with look from file or as in library
  • Configurable resolution and cropping


  • Distribute well structured information to others on and beyond set
  • Export multiple report types simultaneously


  • Export reports including thumbnails and all metadata from the library
  • Choose from formats PDF and HTML
  • Choose from multiple report types
  • Customize metadata content of reports and include general report note

Clips Thumbnails

  • Provide three thumbnails per clip (thumbnails and clips reports)
  • Adjustable thumbnail quality to keep report file size small


  • Matching of QTAKE XMLs for metadata import
  • Matching of MovieSlate XMLs for metadata import
  • Matching of Drylab CSVs for metadata import
  • Matching of ZoeLog CSVs for metadata import
  • Conforming EDLs for consolidating referenced clips in a new bin
  • Importing of sealed library archives
  • Importing of LockitScript app metadata via LockitNetwork cloud service


  • Export of FCP XML file
  • Export of ALE file
  • Export of CSV file
  • Export to DaVinci Resolve including clip (.csv) and color (.ccc, ColorTrace) metadata
  • Export to Assimilate Scratch including color metadata (via .ale)
  • Export to AVID Media Composer including color metadata (via .ale)
  • Export of clip metadata to Adobe Premiere Pro (via .xml)
  • Export of audio synced clips to synced sequences for Adobe Premiere Pro (via .xml)

Still Image Export

  • Export of still images (JPG, TIFF) from player
  • Still image export presets: Select still image export size, burn in overlays and multiple still exports in parallel


  • Import and automatic matching of Looks from Livegrade Pro including transfer of clip metadata
  • Import looks from ShotHub (Livegrade cloud project) for Look Matching
  • Import of custom 3D-LUT files
  • Export of Looks to multiple formats

Project Settings

  • Export and import of project settings
  • Default project settings template for new projects
  • Enables easy exchange of offload templates, library folder structure, smart folders, etc.
  • Custom metadata fields
  • Custom label names

ZEISS Lens Correction

  • Import of lens data from ZEISS xD lenses via Ambient MasterLockit Plus
  • Review of dynamic shading and distortion correction in the player
  • Export of lens correction data to ZEISS lens correction files (.zlcf)

UI Layouts

  • Quick configuration buttons for the user interface: Manage, QC and Color

Second Display

  • Two screen working environment

Grading Panel Devices

  • Tangent Element (all modules), Ripple, Wave, Wave2 with custom mappings via "Tangent Mapper"


  • ARRI Alexa (.ari) **
  • ARRI Alexa LF (.ari) **
  • ARRI Alexa Mini (.mxf) **
  • ARRI Alexa Mini LF (.mxf) **
  • ARRI Alexa 35 (.mxf) **
  • ARRI Amira (.mxf) **
  • ARRI Alexa 65 (.ari) **


  • ARRI Alexa (.arx) **
  • ARRI Alexa LF (.arx) **
  • ARRI Alexa Mini LF (.arx) **
  • ARRI Alexa 35 (.mxf) **
  • ARRI Alexa 65 (.arx)**

Blackmagic RAW

  • Blackmagic Design URSA Mini Pro 4.6K
  • Blackmagic Design Pocket Cinema Camera 6K
  • Blackmagic Design Pocket Cinema Camera 4K/6K
  • Various Fujifilm and Panasonic cameras


  • Panasonic Varicam **

Canon XF Movies

  • Canon C300 Mk. I & II **
  • Canon C500 Mk. I & II **
  • Canon C700 and C700 FF **
  • Canon C200 **
  • Canon C70 **
  • Canon R5 **


  • Canon XF705 **

Canon MPEG-4 AVC/H.264 (.mts)

  • Canon C100 **

Canon Cinema Raw Light (.crm)

  • Canon C200 and C200B

Canon Uncompressed RAW (.rmf)

  • Canon C700 and C700 FF
  • Canon C300 Mk II


  • BMCC
  • Bolex D16 **
  • Ikonoskop
  • IndieCam
  • DJI

Generic Image Sequences

  • JPEG
  • TIFF
  • DPX

H.264 QuickTime Movies

  • Canon DSLR **
  • GoPro Hero **
  • Nikon DSLR **

Kinefinity KineRAW (.krw)

  • TERRA 4K/5K/6K
  • KineMINI 4K
  • KineMAX 6K

Panasonic DNG RAW

  • Panasonic Varicam LT (with Convergent Design Odyssey7Q+)

Phantom Cine

  • Vision Research Phantom Flex/Flex4K/Miro/v2640 Onyx

ProRes QuickTime Movies

  • AJA KiPro
  • ARRI Alexa / Alexa LF **
  • ARRI Alexa Mini **
  • ARRI Amira **
  • RED cameras **
  • Panasonic Varicam **
  • Atomos Ninja and Samurai
  • Codex Action Cam
  • Convergent Design Odyssey

ProRes (.mxf)

  • ARRI Alexa Mini LF **
  • ARRI Alexa 35 **
  • Sony Venice **
  • Sony Venice 2 **


  • RED V-Raptor 8K
  • RED Weapon Dragon 6K, Weapon Helium 8K S35, Weapon Monstro 8K VV **
  • RED Raven 4.5K **
  • RED Komodo
  • RED Scarlet-X, Scarlet Dragon, Scarlet-W 5K **
  • RED Epic-X, Epic Dragon, Epic-W 8K **
  • RED One, RED One MX **

Sony RAW

  • Sony F5/F55/F65, Venice


  • Panasonic Varicam


  • Sony F5/F55
  • Sony Venice (with AXS-R7 recorder)
  • Sony Venice 2
  • Sony Burano


  • Sony F5/F55, Venice **


  • Sony a7S **
  • Sony FX-3 **

User Interface

  • English
  • Japanese
  • Chinese

Computer /
Operating System

Start Your Silverstack XT Journey Today

Find the Best License Model for You.


Silverstack is the standard software for on-set data management in all kinds of professional film productions.

Starting from
79 USD

See Pricing Options

Silverstack XT

Silverstack XT extends Silverstack with an advanced feature set, including support for additional formats, HD-SDI output, and more.

Starting from
119 USD

See Pricing Options

Download and test Silverstack XT with our free 10 day trial! Try Now for Free