Malta is a sought-after destination for international film productions of various types and sizes. Local DIT and Workflow Supervisor Ryan Gatt shares insights into the perks and challenges of working in a location that is not only small but also somewhat secluded from the global landscape.
Contrary to the global trend of customizing DIT carts, most French DITs rent equipment for each show. In this article, we got to speak with French DIT and president of ADIT, Audrey Samson, about her typical setup, and the advantages of renting DIT equipment.
David Gómez Ojeda is an experienced DIT in commercials, features, and TV work. In this article, David gives us an in-depth look into his setups for each, and shares several creative problem solving success stories including creating networks on set, and DIT-cart proofing a Sprinter Van.
With a background in software development and a passion for storytelling, the role of DIT comes quite naturally to Facundo Ferreira. However, he finds that not everyone on set places the same importance and value on the role of the DIT. In this interview, Facundo shares his DIT cart- personalized with Robocups and neon tape, as well as the challenge of unclear working dynamics on set.
Jaime Lucero Jr.’s DIT cart attracts people to it like a moth to a flame. Whether it’s due to the flashy LED strip lights, or Jaime’s warm and welcoming vibe, this Atlanta-based commercial DIT views his cart as both his own efficient workstation and a professionally inviting place for everyone on set.
Since 2016, Allan Legarth Nielsen has been navigating the complex Danish film industry as the only on-set freelance DIT. Despite the obstacles he faces, he’s driven by his mission to educate the Danish film industry on the importance of proper data management.
New to the DIT life? Alix Milan knows a thing or two about how to prepare your cart for a shoot. His motto “fail to prepare, prepare to fail,” serves as the guiding principle for his DIT and video playback rental company We Love Hue. We got the chance to sit down with Alix and learn more about his career, and his personal DIT cart.
Chris has emerged from photography to motion. He constantly adapts to the unique requirements of jobs in both worlds. In this interview, he walks you through all the bits and pieces – including the pink accessories and his woodpecker logo!
In the past, Lucy worked as an on-set editor, juggling many different responsibilities at once. These days, she’s fully focused on her role as a near-set and on-set DIT for diverse projects. Check out the full interview!
Robert mainly works on productions for big streaming platforms and has assembled quite an impressive setup along the way. In this interview, he discusses all its bits and pieces!