Meet Istanbul-based DIT Kenan Çekiç, whose credits range from Netflix series to high-end commercials, feature films, and arthouse projects. With such a diverse range of work, Kenan’s setups have to be highly adaptable.
This time, we’re catching up with Florida-based DIT, editor, and post-production supervisor Brett Ramker. With two Sports Emmys and a diverse portfolio spanning broadcast, commercial, and documentary work, Brett brings a wealth of insight to the table!
In this interview, we’re catching up with LA-based Digital Imaging Technician James Notari, whose career began at the forefront of the digital cinema revolution. With a background in VFX and some of the earliest RED workflows, James has become a go-to DIT on major feature films and television shows.
In this interview, we sat down with DIT and on-set colorist Fabiola Seguel. She works across commercials and occasional feature films and is the co-founder of Merken Pro, a company offering VTR, streaming, and DIT services for international productions.
In this interview, we’re catching up with London-based DIT Dean Otusanya-Wood to talk about his journey into film, go-to DIT setup, and life on set!
In this interview, DIT Steve Harnell shares insights into his setups and workflows for live events and commercials.
Malta is a sought-after destination for international film productions of various types and sizes. Local DIT and Workflow Supervisor Ryan Gatt shares insights into the perks and challenges of working in a location that is not only small but also somewhat secluded from the global landscape.
Contrary to the global trend of customizing DIT carts, most French DITs rent equipment for each show. In this article, we got to speak with French DIT and president of ADIT, Audrey Samson, about her typical setup, and the advantages of renting DIT equipment.
David Gómez Ojeda is an experienced DIT in commercials, features, and TV work. In this article, David gives us an in-depth look into his setups for each, and shares several creative problem solving success stories including creating networks on set, and DIT-cart proofing a Sprinter Van.
With a background in software development and a passion for storytelling, the role of DIT comes quite naturally to Facundo Ferreira. However, he finds that not everyone on set places the same importance and value on the role of the DIT. In this interview, Facundo shares his DIT cart- personalized with Robocups and neon tape, as well as the challenge of unclear working dynamics on set.