HDR Preview on Set with Livegrade – Part 3 13 min read

This article is the third part of a series of articles about HDR production and resulting implications on the film set. Overall, the series covers typical use cases, presents best practices, and offers insights for setting up all required devices and systems. This third article illustrates a few tricks for dual-monitoring in HDR and SDR, talks about color grading HDR vs. SDR, and goes through a few pitfalls that can occur.