Film production processes
redefined by software.

We help you to do better
Media Asset Management and Look Creation.

Products

Silverstack Offload Manager

Camera Backups and Reports – Simple and Secure.

The Silverstack Offload Manager is a highly secure and yet very simple tool for offloading and backing up camera footage.

Learn more...

Silverstack

Clever Media Management for Film Productions.

With Silverstack and its extended version Silverstack XT your are always prepared, you never lose data, and you store and retrieve data fast.

Learn more...

Silverstack Lab

Data Management and Dailies Creation in One.

With Silverstack Lab you can copy and back up your movie data and create dailies at the same time in one tool.

Learn more...

LiveGrade Pro

The Reference for Professional Look Creation

LiveGrade Pro gives film productions better control of their images and simplifies the on set color workflow and dailies process.

Learn more...

See all products...

From our blog

October 11, 2018

How to Document and Log Your Camera Backups with Silverstack Offload Manager – and Why It’s Important

There is more than one reason not to offload camera footage in macOS's Finder, but besides making sure your copy…

October 4, 2018

On-Set Data Management and Color: DIT Supervi...

September 28, 2018

Offloading Camera Footage: How to Benefit Fro...

September 28, 2018

Video: Panavision DXL2 grading with LiveGrade...

See All Blog Posts...

Customer story

I only work with LiveGrade Pro now. It’s so slick and the team at Pomfort is really listening to us guys on the ground, adding new features all the time...

DIT Simon Jori on live grading Deadpool 2

Deadpool 2 is the sequel to the most popular R-rated movie in history. Despite being produced by an entirley different team, on-set color again played a big role in its production. Main Unit DIT Simon Jori was responsible for on-set color and look management on Deadpool 2. In a recent interview with us he talks about the power of on-set color, the importance of testing looks beforehand, and explains why he likes to run more LUT boxes than cameras.

Read whole story...

See All Production Features...