Jonny Revolt is an Atlanta-based DIT who mainly works on feature films and television shows. Recently, he had the opportunity to work on the award-winning film The Six Triple Eight, serving as the main DIT across multiple shooting locations in the U.S. and UK.
Shooting the music video for American rap icon Travis Scott’s 4×4 was nothing short of epic! Jordan Cardona, a seasoned VTR, DIT and colorist, takes us behind the scenes to talk all things video assist on this challenging production.
The hit horror movie “The Substance” took audiences by storm and recently earned lead actress Demi Moore her first Golden Globe at the 2025 Awards. In this interview, DIT Baptiste Marnière takes us behind the scenes!
After 25 years, Sr. Ridley Scott’s Oscar-winning classic Gladiator returns to the big screen with a thrilling sequel. We sat down with DIT Gastone Ferrante to discuss his workflow and setup for this massive production.
We sat down with Hungary-based DIT Daniel Farkas to discuss his recent involvement in ‘Alien: Romulus’. Wait, another ‘Alien’ film? That’s right, the science fiction horror-thriller forms the latest addition to the iconic ‘Alien’ franchise.
In this interview, DIT Peter Marsden discusses the use of small-scale virtual production in the action thriller ‘Retribution’.
‘Heist 88’ is a film about a real heist that happened in Chicago back in 1988. In this article, DIT Henrikas Genutis takes us behind the scenes and offers exclusive insight into how he used the entire Pomfort camera department ecosystem as a communication tool to align the two post houses, and the crew on set with the DP’s creative intent.
On the set of ‘It Lives Inside’, DIT Kevin Hawkins designed his workflow to act as the bridge between set and post. In this article, Kevin shares how he did this by utilizing the entire Pomfort camera department ecosystem to keep all of the metadata secure, and how it helped to simplify the jobs of several other team members.
DP Michael Simmonds brought DIT Chandler Tucker onto the set of the second season of ‘The Righteous Gemstones,’ for two weeks to fix discrepancies between dailies and raw footage. However, after Michael saw how Chandler could provide top-level continuity between shots, scenes, and episodes by way of recorded references in Silverstack Lab, Chandler stayed on for the remainder of the season. In this interview, Chandler shares his thorough workflow, as well as what made it so valuable to the DP.
When the DP and the set location changed one month away from wrapping, DIT Leonardo Frosina relied on references in Livegrade Pro to finish shooting season two of The White Lotus. Audio version of this article now available on Spotify!