From the UK to Morocco and Kenya, The Agency Season 2 pushed its production across continents and into extreme conditions. Adding to the challenge was a diverse camera package, from the ARRI ALEXA 35 to iPhones. In this interview, DIT Anton Badstuber takes us behind the scenes.
In this interview, DIT Thomas Briant Macgregor takes us front row at some of the biggest fashion shows in Paris! Learn how he creates the perfect look for each live broadcast and keeps it consistent across complex multi-camera setups.
In this interview, DIT Will Cook discusses the workflow behind “Prisoner”, highlighting the collaboration between the on-set and lab teams and the key role Silverstack and Livegrade played throughout.
As part of the wider technical team, DIT Chuck Pappas managed a 36-camera setup using Livegrade 7 to create a consistent cinematic look for Karol G’s Coachella performance.
In this interview, DIT Severin Schultze takes us behind the scenes of Mother Mary. Together with DIT Jonas Karg, he built an integrated workflow for live grading and dailies, with ShotHub keeping everything connected. The result was a smooth set-to-lab pipeline.
‘Hamnet’ has quickly become one of the year’s most talked-about films, winning over both audiences and critics. In this interview, we shift the spotlight to the camera department as DIT Krzysztof Zawieja takes us behind the scenes.
Video technician Mihail Ursu takes us behind the scenes of the Outlander prequel series, explaining how he ensured images travelled smoothly across monitors and iPads on set.
To recap Ferrari’s performance at Motul Petit Le Mans on social media, footage had to travel from camera card to edit suite and onto their social channels almost as fast as the cars lapping the circuit. To pull this off, DIT and editor Brett Ramker built a streamlined mezzanine workflow with Silverstack Lab.
In this interview, Saig Ollivier reveals how he used Livegrade to manage a massive multi-cam setup during Katy Perry’s Paris ‘Lifetimes’ tour.
Few productions this year have pushed the limits of filmmaking quite like “F1: The Movie”. In this interview, DIT Joe Steel takes us behind the scenes!